The field of color of the twelve silkscreen prints mirrors the role played by the Alhambra's mosaic ceramic tiles that contrast the engraved texture of the Arabic verses on Alhambra's walls. The underlying structure governing each print is based on a geometric principle of symmetrical and repetitive relations that generated many of the patterns found in Alhambra's tiles. The prints reflect a vocabulary of diagonal and vertical lines that intersect in opposite or alternating orders within the square.

Each print, then, may be viewed as an independent composition, as part of a tritych, or as an integral component of a work composed of twelve units.